War
is horrific. It is bloody and in Wilfred Owen's words it leaves
people 'bent double, like old beggars.. coughing like hags.' War is
not only horrific but much of it consists in boredom. Owen describes
the boredom of war in the trenches in his poem 'Exposure' as a soldier
who in between vigilance doesn't have much to do. 'We watch them wandering
up and down the wind's nonchalance, but nothing happens.'
Much of war
consists in waiting; either waiting for the enemy to attack or
waiting for instructions for your next attack. In between is the cold
self reflection of one's own presence here in the war. Owen writes:
Watching,
we hear the mad gusts tugging on the wire.
Like twitching agonies of men among its brambles.
Northward incessantly, the flickering gunnery rumbles,
Far off, like a dull rumour of some other war.
What are we doing here?
Like twitching agonies of men among its brambles.
Northward incessantly, the flickering gunnery rumbles,
Far off, like a dull rumour of some other war.
What are we doing here?
What
are we doing here Owen asks. What is the point of this war. The war
alluded to is the first world war. It was a conflict between many
nations. As Thomas Hardy puts it in his poem 'Channel firing', 'And all
nations striving strong to make red war yet redder.' This was the result of the first world war. It made red war yet redder. Over 8 million people lost their lives. And the bloodiest battle was the battle of Somme. Frederick
Steinberger, a German officer, summed it up well. "Somme the whole
history of the world cannot contain a more ghastly word." Such an
experience led many to loose their faith in humanity. To loose their
faith in religion as well as political leaders, and in Western
civilization. Such a view is not uncommon today as many would look
upon their political leaders as the 'group of professionals least
likely to tell the truth.'
The
first world war was senseless slaughter; It was horrific and much
more, it was boredom that made many to loose their faith in ideals, especially the ideals of the 19th century.
To finish off with Owen, he writes in "Dulce
Et Decorum Est":
If
in some smothering dreams you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,--
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil's sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,--
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.
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